BIOGRAPHY
The real Lady Bro. Sassy, sarcastic, sometimes vulgar but always with a smile. Reliable, Real and Respectful with a hint of Rebellion. A fan of Alliteration.
PROFILE GALLERY
DEMO REELS
Commercial
Animation (General)
Audiobook
| CONTACT DETAILS | VOICE PROFILE |
|---|---|
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Email: ckwoka88@gmail.com Business number: 3216937588 Mobile number: Website: www.chelseakwoka.com |
Gender: Female Location: Los Angeles California Description of voice: raspy, friendly, confident, witty, warm, real, conversational Sounding Age(s): 11 - 16, 17 - 20, 21 - 30, 31 - 40, 41 - 50 Languages: English (USA) Accents: Expertise: Commercial, Corporate, Internet |
CREDITS
SKILLS
| Improvisational Acting | Trained at The Groundlings in Los Angeles, currently up to level Advanced. Comfortable creating characters and going "off book" |
| On Camera Acting | Trained at multiple reputable studios in Los Angeles including Lesly Kahn, AMAW, etc. Adept at cold reading technique, scene study, and more. Have worked on professional sets ranging from commercial shoots to feature films. |
| Dance | Trained in studio - ballet, jazz, contemporary, hip hop, modern, high kick and military style. Performed in the Macy's Thanksgiving Day Parade in NYC twice in high school. |
Home Recording Setup
| Software: | Audacity |
| Video Sync Available: | No |
| Remote connectivity: | Google Hangouts, Skype, Zoom |
| Microphones: | Snowball Blue iCE |
| Studio demo sample |
TRAINING
| Kalmenson & Kalmenson | Advanced/Professional level Class. Worked primarily on technique and cold reading skills, taking direction from the booth and vocal warmups. We also discussed the business side of Voice Over and had a representative from a reputable agency present to give notes/feedback. |
| Lesly Kahn | Dramatic and Comedic workshops followed by ongoing class. Break down current, casting, television scripts as well as brought in timely auditions for on camera work. |
| The Groundlings | Graduated to Advanced Improv where the focus is solely on creating distinct, full characters for our repertoire. Honing listening skills and specificity of perspective. |